

Bell & Howell Model 71-Q Eyemo
"The
best action always occurs during
reloading and rewinding"
"The Bell and Howell Eyemo 35mm camera
, which came in several different models, some spring driven and others battery powered, some with only a single lens and others with a spider turret holding three lenses. The Army Signal Corps estimated that Eyemos accounted for about 90 percent of its combat motion-picture footage, and the percentage was approximately the same for the other services.
A 100-foot roll of 35 mm film weight about four pounds and cameramen carried up to 10 rolls. Most cameramen had to hand-hold their cameras. The Eyemo lacked special grips for steady hand-holding. Much of World War II footage bounces, jiggles and wavers. Although an Eyemo could be modified to hold a 400-foot magazine, that made the camera impossibly bulky for front-line duty.
A 100-foot roll zipped through the camera in just a little more than a minute and then the cameraman had to reload, a tricky process even under ideal conditions, requiring him to thread the film carefully through the camera's inner rollers, gears and gates. With a motor-driven model a photographer could shoot 100 feet without any interruptions, although then he had to tote along a battery that further burdened his already overburdened body.
The spring-driven models eliminated the battery but in combat's fast-paced world they had their own special liability, "the reloading headache." Only 45 feet of film could be used before the spring wound down. It took 15 seconds to rewind, so a photographer that shot 45 feet, then rewound, shot another 45 feet, and then either rewound again to shoot the last 10 feet on the roll, or reload immediately, wasting 10 feet of precious film and up to one minute of irretrievable time." Maslowski, Armed With Cameras, pages 52-53.
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Special Pages
Po Valley DVD / Battle for Bologna
View selected photos from a new Italian DVD focusing on the work of the 196th Signal Photo Company
Collection of photos taken by Army T/4 Don Wiedenmayer during the Battle for Bologna, Italy
Click
here to register a veteran with the WW II Memorial Registry!
The memory of America's World War II generation is
preserved within the physical memorial and through the World War II Registry of
Remembrances, an individual listing of Americans who contributed to the war
effort. Any U.S. citizen who helped win the war, whether a veteran or someone on
the home front, is eligible for the Registry. Names in the Registry will be
forever linked to the memorial's bronze and granite representations of their
sacrifice and achievement.
196th Signal Photo Company Photographers - Selected Photos
These special tribute pages features some of the significant still photography of five Army Signal Corps photographers who served in the 196th Signal Photo Company. They include:
/ Cecil "Max"Campbell / John Mason / Donald Wiedenmayer / Jerry KosseffIndex to 196th Signal Photo Company - Still Photo Gallery
Known Army Signal Corps photographs attributed by Signal Corps serial number to individual members of the 3131st Signal Service Company and the 196th Signal Photo Company, Italian Campaign, 1944-1945. These photos were obtained from the National Archives and the public domain.
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Home / About the Co-Authors / About the Book / The Latest - Author Events / Edmund Burke O'Connell / Media Inquiries / Screenplay / Villa Calamai / Donald Wiedenmayer / Contact the Authors / Buy the Book
Historical Resources
O'Connell's Equipment: Bell & Howell 35mm Eyemo Camera
Captain Melvin Gillette / Architect of the Army Pictorial Service
Selected Reference Materials (Orders and Official Documents) / Army Pictorial Service - North Africa
196th SPC - Awards and Decorations
/ 196th SPC Roll of Honor / 196th SPC - Unit History/ 196th SPC - Campaign for Sicily / 196th SPC - Motion Picture Coverage / 196th - Still Photo Coverage
Bibliography / Veteran's History Project / Nauders Crossroads - 1945
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© The Last Farewell - A journey of the heart
By Edmund Burke O'Connell and co-authors Julie Whitman Jones and Thomas J. Sullivan, Jr.
email the authors: info@thelastfarewell.net
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