

Col. Melvin E. Gillette - Architect of Military Pictorial Service
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Army Col. Melvin E. Gillette, (right) is considered the “architect of Military Pictorial Service”. Gillette organized and directed Fort Monmouth’s first training Film Field Unit in 1937 and the first Training Film Production Laboratory in 1940. When the laboratory was moved to Long Island City in 1942 and was incorporated into the new Signal Corps Photographic Center (SCPC), headquartered in Long Island City, New York. Col. Gillette served as SCPC's first commanding officer.
Text of Col. Gillette's Citation for the Legion of Merit
Melvin E. Gillette, Colonel, Signal Corps, Signal Section Headquarters Fifth Army, for exceptional meritorious conduct in the performance of outstanding service in Italy from 8 October 1943 to 5 June 1944. In connection with the planning for and the establishment of an effective photographic system to cover the Allied operations in Italy, Colonel Gillette, organized a Photographic Division within the Signal Section, Headquarters, Fifth Army and was responsible for the administrative organization of the supporting units and for the supervision and coordination of all the photographic services in Fifth Army. Through his experience with the Army Pictorial Service and his foresight, tact and industry, photographic service was established on a firm foundation whereby regular missions of providing news pictures for release to the public and official pictorial war records were provided. His filming of special motion picture sequences and rapid distribution of photographic news events to the United States was a tribute to Colonel Gillette’s brilliance in the field of photography and organization. Entered service from Des Moines, Iowa. September 9, 1944.
GILLETTE
served as the Army pictorial representative on Gen. Dwight D. Eisenhower’s Allied Headquarters staff in North Africa and as photographic officer with the Fifth Army in Italy under Gen. Mark Clark. He was decorated with the Legion of Merit for his service with the Fifth Army for “planning and establishing an effective photographic system to cover the Allied operations in Italy.”Col. Gillette returned to San Francisco in January 1947, suffered a heart attack that July and died on September 11, 1947. His wife Ruth returned to their home in Long Island, New York.
On Jan. 2, 1948, Col. Lloyd Parsons, Signal Officer, Headquarters, Sixth Army at the Presidio of San Francisco wrote to Mrs. Melvin Gillette requesting permission to dedicate the new Sixth Army Pictorial Center as the "Gillette Pictorial Center" in honor of her late husband. Gen. Mark Clark approved the proposal pending Mrs. Gillette's concurrence."While convalescing at Letterman General Hospital early last summer, Col. Gillette spent many happy afternoons with the people of the Pictorial Division and was greatly interested in the new pictorial center, which was in the planning stage at that time. We feel it would be fitting to honor his memory by dedicating this most modern facility in his name, for it is largely as a result of his untiring efforts and hard years of organization in the Army Pictorial Service that has made possible the development of the center. Your early reply in this matter would be greatly appreciated, in order that, with your approval, we may have a suitable plaque fabricated and make arrangements for a dedication ceremony." (NOTE: Mrs. Gillette gave her consent on Jan. 8, 1948).
In 1948, Building 603, left, the Pictorial Center of the Presidio, San Francisco was dedicated in Col. Melvin Gillette's memory and remained named Gillette Pictorial Center until the Presidio of San Francisco was closed by the U.S. Army.Colonel Melvin Gillette is buried beside his wife Ruth in Arlington National Cemetery, Washington, D.C. Mrs. Gillette passed away on Feb. 17, 1962.
Building 603 - The original blueprints reviewed by Colonel Gillette remain on file at the former Presidio. Copies of the ground and upper floor reveal a state of the art photographic facility for its time.
Bldg. 603 is currently in use by the California Department of Transportation (Caltrans) as an engineering office for the reconstruction of Doyle Drive. A colorful diorama of the Doyle Drive construction projects greets visitors as they enter. To the left of the entrance, a temporary wall bears a Caltrans seal. The authors believe this is where the original Gillette Pictorial Center plaque was displayed.
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Read the original letter written by Army Col. Lloyd C. Parsons, Signal Corps Officer,
Presidio of San Francisco dated Jan. 2, 1948 to Mrs. Melvin E. Gillette
requesting her permission to name the new Sixth Army Pictorial Center in her
husband's memory. A record of the plaque honoring Col. Gillette still remains in the archives of the National Park Service, GGNRA Archives. The whereabouts of the original plaque are unknown. (View PDF)
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- Signal Corps Photo #41-TFL-16E, National Archives |
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Explore the history of the Army Pictorial
Center (Signal Corps Photographic Center) at
http://www.armypictorialcenter.com.
At the start of World War II, the United States Army acquired a defunct motion picture studio at 35th Avenue and 35th Street in Astoria, Long Island City, Queens, New York, taking over in February 1942. The studio became the Signal Corps Photographic Center, later Army Pictorial Center, home to filmmakers and still photographers who covered the war and who produced countless training films. This is the story of the people who served there.
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Army Pictorial Service - Chain of Command Capt. Ned Morehouse Requests for coverage of specific projects in Theater of Operations frequently came from Washington, D.C. and a team was assigned to cover the particular phase of the operation.
In Italy, the assignment would come through the Photo Signal Officer on the Army Signal Officers Staff. In Italy this was Colonel. Melvin E. Gillette until he was replaced by Major Linden G. Rigby about the time the 163rd Signal Photo Company (SPC) was transferred to control of the Seventh Army. A similar anomaly existed in the two Corps photo officers when the 196th Signal Photo Company (SPC) was in Italy. Lt. Frank Morang was the Corps photo officer for II Corps, and he was 196th Personnel Officer, under the command of Capt. Ned Morehouse (left ).
Morehouse noted that at headquarters, VI Corps. Lt. Edward J. Montagne was Corps officer. Montagne, right, receives a Bronze Star for meritorious service during the Italian Campaign from Maj. Gen. Dale Crittenberger in this Signal Corps photos. Montagne was profiled by The Acorn, his hometown community newspaper in Agoura Hills, CA. The article, dated August 29, 2002 features a photo of Montagne. See: http://www.theacorn.com/news/2002-08-29/Community/024.html. Montagne, who went on after the war to produce the popular 1960s television show "McHale's Navy" considered himself a part of Army Pictorial Service personnel, and operated independent of the 196th Signal Photo Company (SPC) although all of his enlisted still and newsreel cameramen were 196th SPC personnel.
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196th Signal Photo Company Photographers - Selected Photos
These special tribute pages features some of the significant still photography of five Army Signal Corps photographers who served in the 196th Signal Photo Company. They include:
/ Cecil "Max"Campbell / John Mason / Donald Wiedenmayer / Jerry KosseffIndex to 196th Signal Photo Company - Still Photo Gallery
Known Army Signal Corps photographs attributed by Signal Corps serial number to individual members of the 3131st Signal Service Company and the 196th Signal Photo Company, Italian Campaign, 1944-1945. These photos were obtained from the National Archives and the public domain.
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Historical Resources
O'Connell's Equipment: Bell & Howell 35mm Eyemo Camera
Captain Melvin Gillette / Architect of the Army Pictorial Service
Selected Reference Materials (Orders and Official Documents) / Army Pictorial Service - North Africa
196th SPC - Awards and Decorations
/ 196th SPC Roll of Honor / 196th SPC - Unit History/ 196th SPC - Campaign for Sicily / 196th SPC - Motion Picture Coverage / 196th - Still Photo Coverage
Bibliography / Veteran's History Project / Nauders Crossroads - 1945
© The Last Farewell - A journey of the heart
By Edmund Burke O'Connell and co-authors Julie Whitman Jones and Thomas J. Sullivan, Jr.
email the authors: info@thelastfarewell.net
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